America
has more or less made peace with Tyler, the Creator, the leader of the
(now disbanded) shock-rap crew Odd Future. After a period of inciting
controversy with violent lyrics and aggressive teenaged snottiness,
Tyler has settled into life as a touring artist with a reliable fanbase.
The United Kingdom, though, is apparently not quite as accepting.
Earlier
this week, Tyler suddenly cancelled a series of upcoming shows in
England and Ireland, including sets at major outdoor festivals in
Reading and Leeds. At the time, the cancellations were chalked up to “circumstances.”
Tyler has been banned from entering the UK for somewhere between 3 to 5 years per a letter from the secretary of state for the home department of the united kingdom. the letter specifically cites lyrics he wrote 6-7 years ago for his albums bastard and goblin – the type of lyrics he hasn’t written since… highlights from the letter include that his work “encourages violence and intolerance of homosexuality” and “fosters hatred with views thats seek to provoke others to terrorist acts..”
Tyler has been banned from entering the UK for somewhere between 3 to 5 years per a letter from the secretary of state for the home department of the united kingdom. the letter specifically cites lyrics he wrote 6-7 years ago for his albums bastard and goblin – the type of lyrics he hasn’t written since… highlights from the letter include that his work “encourages violence and intolerance of homosexuality” and “fosters hatred with views thats seek to provoke others to terrorist acts..”
It’s
unclear why exactly Tyler was banned from the UK at this exact point in
time. Later in his post, Clancy points out that Tyler has played at
least 20 shows in the region over the past five years. Most recently, he
played four straight shows in the UK in mid-May, and also held a screening of Napoleon Dynamite at a theatre in London.
Those
concerts, Clancy says, have happened “without incident,” and there
doesn’t appear to be any evidence to contradict that, though Tyler was
once arrested after a show in Los Angeles and cited after another last year in Austin.
And though Clancy’s post contrasts who Tyler was “6-7 years
ago”—someone who rapped gleefully about rape and defended his use of gay
slurs—with the more mature person he appears to be now, it was only two
years ago that he confronted an Australian critic from the stage, calling her a “fucking bitch, a “fucking whore” and a “fucking cunt” as she watched from the audience. (Tyler recently cancelled an Australian tour after pressure from the feminist group Collective Shout.)
Still, a
country banning a performer for a half-decade based on his lyrics is
obviously concerning from a free speech perspective. The reasons given
by the UK, as cited by Clancy, are also fairly specious. It would be
hard to seriously argue that Tyler “encourages violence” against gay
people, and though his insistent use of the word “faggot” might
encourage “intolerance,” that accusation is also true for a great number
of public figures—politicians, Ice Cube—who
enter the country routinely. And the argument that Tyler’s lyrics
“provoke others to terrorist acts” is a gross overselling of the matter,
to say the least
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